Jinashi-Shakuhachi and genuine Hitoyogiri CD for free



Kishi Kiyokazu
Professional Member
Jinashi-Shakuhachi and genuine Hitoyogiri CD for free
Jinashi-Shakuhachi and genuine Hitoyogiri and other flute concert's CD for free to ESS members.

I give away my Jinashi-Shakuhachi, genuine Hitoyogiri and other instruments concert CD for free only to our ESS registered members, until March 2014.
If you'd like to listen that CD, please e-mail me and notice your country, address and your name. You can find my e-mail address in ESS memberlist.
I send my CD to you by air mail. You have no payment. It's for free in case of that you are a ESS member.
After listening that CD, please let me know what you think.
( I'd like to recieve it by air mail)
That concert was held at very small public hall at Kaizuka-city in Japan.
I performed "Tsuru-no-sugomori"(Crane's afection) in Kinko-style with Jinashi-Shakuhachi. And "Sagariha" was played with a old genuine Edo-period Hitoyogiri(hanko is Nyozan 如山). Other music pieces are played with quena, soprano recorder, pan-flute, western modern flute.
Thank you.
I run Shakuhachi-playing-study-group(尺八吹奏研究会). I have been studying the shakuhachi and published a text book [尺八吹奏法Ⅱ]. I wish to share with pleasure of playing the shakuhachi with all of the ESS members.
Roban Beuran
Member
Dear Kishi Kiyokazu-san,

I am studying Tozan school, but I am also interested in Kinko-style, and "Tsuru no sugomori" is one of my favorite pieces (along with "Shika no tohne").
I shall write you an email in a moment. Thank you for your generous offer.

Best wishes,
Razvan
Roban Beuran
Member
Dear Kiyokazu-san,

I have received your CD and I have listened to it with great pleasure. Let me write below a few impressions about several of the pieces included.

Tsuro no sugomori: I have enjoyed this piece a lot, which is one of my favorite pieces in Kinko style. I particularly liked the middle section
where the "trrrrr" sound appears.

El Condor Pasa: I have played the same piece two years ago, and I feel your interpretation was very colorful, especially because of the use of
drum.

The Rose: Being from Romania I also like pan-flute sound very much, and listen to Gheorghe Zamfir from time to time. Your interpretation was quite good.

Chardas: Your arrangement for recorder was very beautiful, emphasizing both the characteristic sound of the recorder but also the virtuoso
character of the melody in the middle part.

Farandole: Although I am not very familiar with this piece, I found the sound of this track to be very good and very close to French music sound
in baroque music recordings.

The Japanese songs at the are also very nice, and the flute sound is also beautiful. It is wonderful how you can play so many instruments
which are so quite different in blowing and fingering techniques. Excellent!

Best wishes,
Razvan
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